Well folks, no chicken painting, however, after taking a workshop with Karin Jurick and Carol Marine (see my sidebar to view their blogs) this past spring, I was inspired to take some museum photos while in NYC in April and attempt to paint art viewers in front of masterpieces like Karin does. It was a real challenge (but awesome fun) for me today. This is my daughter, and my granddaughter asleep under the baby blanket being carried in her Ergo carrier, at the MOMA in front of "Three Bathers" by Picasso. It is so big in real life!
Now, my understanding of the difficulty lies in 'that' rendering of the masterpiece, to be good enough to pass for what it's supposed to be, yet - to paint it in a way so as not to distract MY viewer from my intended focal point, which is the viewer of the art piece, my daughter/granddaughter. (Did I make that clear, hmmm.) One thing I learned about pseudo-abstract 'Picasso hands', is they are easier than realistic hands! The hands on these women are large and very masculine.
Maybe it turned out so well, because I used my new Guerilla box set-up. It's very cool! It lets me rest my painting arm on the box - for those steadying moments on smaller canvas. Hot diggity!
Now, my understanding of the difficulty lies in 'that' rendering of the masterpiece, to be good enough to pass for what it's supposed to be, yet - to paint it in a way so as not to distract MY viewer from my intended focal point, which is the viewer of the art piece, my daughter/granddaughter. (Did I make that clear, hmmm.) One thing I learned about pseudo-abstract 'Picasso hands', is they are easier than realistic hands! The hands on these women are large and very masculine.
Maybe it turned out so well, because I used my new Guerilla box set-up. It's very cool! It lets me rest my painting arm on the box - for those steadying moments on smaller canvas. Hot diggity!